This photographic project emerge(d) in times of deep mutations for the documentary mode. From the flux of exchanges, informations and currencies institutionalized by the end of the twentieth century, the "photographical" has been expanded by the use of multiple tools for the digital image at many more different levels. It (was) is a quest to visual and referential contemporaneous imagery. The will to display those personal insights (rose) rise in a global context construed by the multiplicity of images which proves to be a technological intelligence that transforms the way individuals perceive each other.
The language of representation has been obliterated by an overwhelming act of visualization. Withstanding the ubiquity of image, it (was) is an aim to produce a reflection on its contemporaneity. A free photographic approach with a documentary concern.
(2006)
